Three burning bonfires blowing
smoke up straight, almost invisible,
as we pass by fast on the train.
I search hard for the people
who started those fires.
Look for the bottles of gas,
kerosene, lighter fluid—there is
nothing. Where is Dido, isn’t she
the one who burns on such huge,
quiet, flames? There are no
people, only emptiness. The train
rushes past so many piles of lumber,
dark with age and the wetness that turns
trees almost black, unburnable
in my woodstove. But those three
piles burn and no others. Vandals,
workmen doing their jobs?
There is fire in Brattleboro,
on the outskirts, some nameless,
dirty lumber mill. The silence
inside the train blocks out
the birds, or maybe they have fled,
terrified of the smoke, as I would
be, if I walked along the tracks
searching for bent pennies or stray,
rusty nail spikes to give to my brother.
And I would half-expect
to find Dido among the ruined
wood, burned alive for some man
that loved her but couldn’t stay.
The flames rise with no purpose or intent,
wasting a warmth that could be given
freely to so many hungry, cold
hobos or wanderers in the night.
And I smile inside as I imagine
the train whistling by hundreds
of tiny camps surrounded
by so many travelers and strangers
no longer cold.
I wrote this in 2006, revised it in 2007 and again try to give it new life. This piece always comes back to me when I'm in this mood: slightly grumpy, verging on sad but for no discernable reason. I think I'd like to just be alone for awhile, be in the quiet until this headache is gone and then play my cello--which hasn't been touched since August--forget anything associated with work, friends, family, just be dead as far as the outside world is concerned. This morning I woke up at 7:30 despite the fact that I'd gone to bed at 3am...maybe I'm just tired.
2 comments:
Apparently you do more than review books ;) Welcome back... I love the typographic topography of your post. The layout evokes a sense of walking along a set of train tracks as the reader travels along the the text rails... The words and their cargo of rich imagery is wonderful too, as usual.
thank you! you are too kind...
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